This
week provided two new design patent decisions in the Apple v. Samsung saga and
a notice of review the ITC decision made in October of 2012. The two decisions, by Judge Lucy Koh (S.D.C.A.),touch
on important areas of design patent law, so we will be presenting our analysis
in a two-part series. Today’s post discusses Judge Koh’s decision on Samsung’s
Motion for invalidity of Apple’s design patents based on indefiniteness.
On
Tuesday, Judge Koh rendered her decision on Samsung’s Motion regarding its
non-jury claims in the ongoing patent war between industry giants Apple and
Samsung. In her decision, Judge Koh
offers guidance on how courts might address issues of definiteness in design
cases and how to distinguish between unique drafting conventions and truly
indefinite designs. At issue were all
four of the design patents that Samsung was found to be infringing in last
year’s trial – Design Patent Nos. 618,677 (“the ’677 Patent”); No. 593,087
(“the ’087 Patent”); No. 604,305 (“the ’305 Patent”); and No. 504,889 (“the ’889
Patent”).
With
regard to the ‘677 Patent, Samsung argued that the drawings do not make clear
whether the lozenge-shaped speaker slot and rectangular shape are beneath the
surface, a break in the surface, or resting on top of the surface:
With
regard to the ‘087 Patent, Samsung argued that the lack of shading on the drawings
make it impossible to see that there is actually a display area below a
transparent surface.
With
regard to the ‘889 Patent, Samsung argued, among other things, that the claim
was indefinite because the patent depicted the design in multiple orientations,
making it impossible to know which way the design is supposed to be oriented,
or where the features actually appear:
Finally,
with regard to the ‘305 Patent, Samsung argued that the claim was indefinite
because the figures showed both a color and black and white design, making it
impossible to tell whether color is necessary for the claim:
Judge
Koh began her analysis with a discussion of indefiniteness in design patent
law, generally noting that “[t]here is little clear precedent on the question
of how [the indefiniteness] standard is to be applied to design patents.” Analyzing cases that have addressed the
issue, the court determined that, as with utility patents, the analysis is
related to claim construction and turns on “whether ‘a person of skill in the
art’ would get ‘an overall understanding of the total substance of the designs.’”
(citing Antonious v. Spalding &
Evenflo Companies, Inc., 217 F.3d 849 (Fed. Cir. 1999) (unpublished); see also Seed Lighting Design Co., Ltd. v.
Home Depot, No. 04-cv-2291, 2005 WL 1868152 (N.D. Cal., Aug. 3, 2005)
(considering whether a person skilled in the art would understand the bounds of
a design patent claim from inconsistent drawings); HR U.S. LLC v. Mizco Int'l, Inc., No. 07-cv-2394, 2009 WL 890550
(E.D.N.Y., Mar. 31, 2009) (design patent would be indefinite where “the overall
appearance of the design is unclear”). The
court also stressed that, after Egyptian
Goddess, the question depends on whether the design, as a whole, would be
understood, not whether a particular feature is understood. (emphasis added) (citing Egyptian
Goddess, 543 F.3d at 665 (noting the risk that a verbal description will
lead a jury to “plac[e] undue emphasis on particular features of the design and
. . . focus on each individual described feature in the verbal description
rather than on the design as a whole”)).
Judge Koh placed a heavy emphasis the Federal Circuit’s admonition to
avoid a detailed verbal claim construction.
Applying
current indefiniteness rules, Judge Koh found that each of the Apple’s design
patents were definite. Notably, each of
the design patents-in-suit were construed by the district court and the Federal
Circuit on appeal. According to the
court, that fact, alone, strongly
favored a finding of definiteness. Were Apple's design patent indefinite, the Court presumably would have been unable to construe them.
Furthermore, according to the Court, each of
the supposed defects complained of by Samsung were merely drafting
conventions. The court reasoned that “the
Federal Circuit has explicitly recognized that it is appropriate for district
courts to issue interpretations of drafting conventions, see Egyptian Goddess, 543 F.3d at 680. If the use of drafting conventions had to be
facially obvious for the patent to be valid, no such interpretations would ever
be necessary. Further, the law is clear that the fact that claim construction
is necessary does not render the patent indefinite.” (citing Exxon Research and Engineering Co. v. U.S.,
265 F.3d 1371, 1375 (Fed. Cir. 2001) (patent is not indefinite even if claim
construction is quite difficult).
Although
Judge Koh’s analysis appears to be correct in this instance, it is difficult to
understand how indefiniteness in design patent cases could relate to claim
construction if a verbal claim construction is disfavored in design patent
cases. In the author’s opinion, courts
should worry less about harmonizing the indefiniteness doctrine between design
patents and utility patents. In some
instances, it will be necessary to analyze specific features to determine
whether a designer of ordinary skill would be able to determine if such features are claimed by
the design or not. This is particularly
true where a specific and potentially distinguishing feature would likely have an important effect on the
ordinary observer. Despite the correctness of Judge Koh's decision, it
seems like the indefiniteness doctrine in design patent cases post-Egyptian Goddess, could benefit from
additional guidance from the Federal Circuit.
Monday’s
analysis will focus on Judge Koh’s willfulness determination.
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